
“At last I have a clear perspective of how mixing and mastering works!”
Andres Alzate
Yes - live online, built for participation: weekly tasks that mirror real-world challenges, and three live playback sessions where you show your work.
Yes. The Post Production - Mixing and Sound Design for Film and TV course can be taught one-to-one, in person in Nashville or online, built around your own projects - ask admissions about private instruction.
The Post Production - Mixing and Sound Design for Film and TV course runs in small groups in Nashville. Ask admissions at Garnish Nashville for the current dates and tuition.
Herwig Maurer, also known as Agent H - a Berklee alumnus in sound production and engineering, who collaborated on an Academy Award-nominated film's audio and does sound design on Amazon's Reacher.
Yes. You work to real film score briefs, including complying with broadcast loudness standards, and finish with your own project and feedback on it.
There are many ways to access the power of filtering, but probably the easiest is to use a plug-in. Logic’s AutoFilter is a good example of Emagic’s…
Read →Beyond chorus and phasing: ring modulators, frequency shifters, Leslie cabinet simulation and auto-panners, and where each one belongs.
Read →We have discussed the most common modulation effects such as chorus, flanging and phasing. Now it is time to investigate other modulation effects.
Read →How filters shape a sound - low-pass, band-pass, comb and notch - plus resonance, envelope control and using filters creatively in a mix.
Read →Mastering is a vital part of the recording process, so much so that a substantial amount of ‘mystery’ is associated with it. We’ve all heard stories of…
Read →What separates a phaser from a flanger, the parameters that matter on each, and how to use them without wrecking your mix.
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