Post Production - Mixing and Sound Design for Film and TV
Student reviews.
“At last I have a clear perspective of how mixing and mastering works!”
Andres Alzate
Instructors
Common questions, answered.
Yes - live online, built for participation: weekly tasks that mirror real-world challenges, and three live playback sessions where you show your work.
Yes. The Post Production - Mixing and Sound Design for Film and TV course can be taught one-to-one, in person in Nashville or online, built around your own projects - ask admissions about private instruction.
The Post Production - Mixing and Sound Design for Film and TV course runs in small groups in Nashville. Ask admissions at Garnish Nashville for the current dates and tuition.
Herwig Maurer, also known as Agent H - a Berklee alumnus in sound production and engineering, who collaborated on an Academy Award-nominated film's audio and does sound design on Amazon's Reacher.
Yes. You work to real film score briefs, including complying with broadcast loudness standards, and finish with your own project and feedback on it.
Let's get you started.
InquireFiltering
How filters shape a sound - low-pass, band-pass, comb and notch - plus resonance, envelope control and using filters creatively in a mix.
Read →Modulation Effects
Beyond chorus and phasing: ring modulators, frequency shifters, Leslie cabinet simulation and auto-panners, and where each one belongs.
Read →Modulation
We have discussed the most common modulation effects such as chorus, flanging and phasing. Now it is time to investigate other modulation effects.
Read →Filtering
There are many ways to access the power of filtering, but probably the easiest is to use a plug-in. Logic’s AutoFilter is a good example of Emagic’s…
Read →Mixing in Dolby Atmos
Not surround sound and not more speakers - a different way of describing where a sound is. Beds and objects, the room you probably do not have, why the loudness war was never possible in Atmos, what changes about mixing and what does not, and how to deliver it.
Read →Mid/Side and Stereo Width
Mid is what the two channels share, side is what they do not. Splitting a mix that way lets you treat the centre and the edges separately - and it is the most common professional move that never appears in a beginner's mix.
Read →