
“I wouldn’t change anything about any of the courses I did.”
Stefan Olsdal (Placebo)
Yes. Sessions run in person at this campus and live online at the same time, so you join whichever suits you.
The length is in the glance strip at the top of this page, and the tuition for this campus - with the registration fee and any early-booking rate - sits just above the call to action.
Yes - ask admissions about private instruction and we will pair you with a specialist in this subject.
Artists who need their own video, and anyone behind a camera for the first time who wants footage that is right in camera rather than fixed in the edit.
Planning first - location scouting, scripting and storyboarding - then the camera: sensor size, the exposure triangle, shutter speed and frame rates, codecs and bit rates, aperture, focal length, primes against zooms, and filters.
Bring what you have; the principles are the same on any camera, and the course is about getting the shot right rather than owning a particular body.
by Katie Gilchrest When it comes to mixing, establishing a balance is one of the most important parts of creating a professional sounding production. Some of the same miscalculations are made again and again, and fortunately there are ways to recognize, avoid and fix them. Here are five common mixin
Read →How to EQ Vocals Katie Gilchrest's guidelines on how to EQ vocals. For most styles of music, vocals are one of the most important parts of the mix. Poorly EQd vocals can cause detriment and distraction to an otherwise great song. Equalization using a parametric EQ is a tool that can allow vocals to
Read →Celemony's Melodyne is a highly sophisticated pitch analysis and correction software suite known mainly for its use in tuning vocals. As effective as it is in this capacity, Melodyne's capabilities allow for a range of other creative uses outside of simply correcting mistakes in performance. In this
Read →Typically you should be situating yourself and the two monitors at each corner of an equilateral triangle – pictured below – with you head positioned at…
Read →From tape echoes to ping-pong delays: the parameters, how to match delay time to tempo, and using delay as a real mixing tool.
Read →Why room shape changes what you hear, what standing waves do to your low end, and what RT60 means for a small studio.
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