“I wouldn’t change anything about any of the courses I did.”
Stefan Olsdal (Placebo)
Native Instruments NYC User Group Meeting The first Native Instruments user group at Garnish Music Production School in Downtown Brooklyn was a well rounded mix of product information, live performance and music business discussion. The setup combined the Jam with the MK3 and the MK2 keyboard. Each
Read →Mixing Music with Creative FX | Mixing Desk by Mr Steve Powell The signal chain is something always at work whether you’re in the studio, playing around with beats on the computer at home or playing a synthesiser live at a gig. If you are purely a performer, your worry with the signal chain ends whe
Read →Creative EQ Tips by Katie Gilchrest Generally, engineers use equalization (EQ) in one of two ways: corrective or creative. If there is a problem in the recording, perhaps a dull sounding room or sample, it is acceptable to use EQ to brighten up the sound. Sometimes poor mic placement or room modes i
Read →Now Ableton has made the big announcement, we can finally give you a first look! As New York City is our newest location, Garnish New York Ableton Live instructor Michael Hatsis (aka Bangingclude) goes through some of the new features in the new Ableton Live 10! Firstly he delves into the new Waveta
Read →Devious Soul shares his thoughts on the best portable speakers on the market There once was a time when the above contraption was the only way to make your sounds loud and portable but let’s face it; the 'boom-box' was a pretty cool piece of kit! Alas, as technology has advanced over the years and e
Read →When I very first started in the early-nineties, we all used Atari STs with a whole 512k of Ram for sequencing MIDI and not much else. All the audio was dealt with using 24 track 2" tape, with up to 3 slaved together synchronised using lynx synchronisers. Back then for sampling, we had the classic A
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