“I wouldn’t change anything about any of the courses I did.”
Stefan Olsdal (Placebo)
Dance Music Production - Creative vs. Technical by Steve Powell What does it take to make a record in terms of equipment? A four track? A Mac Pro? An SSL4000E? What people use and how they use is of course crucial to the quality and type of dance music production that’s made. The equipment heavily d
Read →Devious Soul shares his thoughts on the best portable speakers on the market There once was a time when the above contraption was the only way to make your sounds loud and portable but let’s face it; the 'boom-box' was a pretty cool piece of kit! Alas, as technology has advanced over the years and e
Read →How Garnish's Logic Pro classes are structured week by week - from what a DAW is, through synthesis and recording, to finishing a record.
Read →Whilst sitting reading the latest music news in Garnish HQ, it became more and more apparent what a special year 1994 was for British dance music. With so many clubs, labels and promotions celebrating 20 years in the game during 2014, it’s pretty obvious that something special was stirring in the wa
Read →Now Ableton has made the big announcement, we can finally give you a first look! As New York City is our newest location, Garnish New York Ableton Live instructor Michael Hatsis (aka Bangingclude) goes through some of the new features in the new Ableton Live 10! Firstly he delves into the new Waveta
Read →Getting your hi-hat game tight: fast rolls and stutters that stay musical, done quickly enough to keep the fun in it.
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